mixing & mastering for Punk, Hardcore, Indie, Surf, Loud, Weird, DIY.

The stuff that doesn’t fit neatly into a genre.

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i turn “This sounds off” into Something you’re proud to release.

You’ve heard your songs a hundred times. The record is recorded, but something still feels wrong and you can’t explain why.

That’s where I come in. I find the issues and uncover the unique ways your music can hit harder. I take your finished recordings and give it the impact of the records you grew up loving.

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I turn songs into records

Mixing makes it feel right.

I take your tracks and make them work together so the vocal sits right, the drums hit like they should, and the energy of the song actually lands.

Mastering makes it translate.

I bring the volume, the cohesion, and the finish that makes your music translate everywhere: studio monitors, car stereos, earbuds, laptop speakers.

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Hear the difference.

Listen to what the mixes sounded like before I worked on them and after.

Pop Punk / Indie / alternative

hardcore / punk

acoustic / singer-songwriter

fun stuff

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What people say

  • "I'ma say it again one more time for the people in the back. Bowler knows his craft, he's a god damn wizard with it, your songs will sound amazing"

  • "Like that is the sound I've been chasing for sooooo long and I finally have it Im so excited"

  • "Shit sounds great dude loving it didn't think we could get our parking lot recordings to sound like that"

  • "Dude it sounds amazing! We love what you were able to do with our limited set up!!"

  • "This Sounds Fucking Great"

  • "Dude! I dig this song waaay more now! You are a magician"

  • "i can tell you truly care about getting the right result for your clients"

  • "I can't wait to put this out!"

Music with something to say. Mixed by someone who gets it.

At 15 I was at my first local punk show and thought, I want to do this forever.

I joined a band. Our first recording was through a video game mic shoved in the corner of our practice space, buried under towels so it wouldn’t distort. We just played. The mic captured whatever it captured. It sounded awful. I loved it. It was the coolest thing I had ever done. That was the start.

I didn’t go to a fancy recording school. I learned by doing, by messing up, by listening to the records I loved and trying to reverse engineer how they sounded.

Now I have a room, a decade of work behind me, and ears trained to catch what most people miss. But I still remember what it felt like to make something from nothing and want it to sound like the records that shaped you.

That’s why I do this.

Work With Me

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Got something that’s almost there?

Tell me what you’re working on and I’ll tell you what I hear. I respond within 48 hours. Usually faster.